The stangers horror movie scripts pdf10/26/2022 ![]() ![]() Right out of the gate, a narrated sequence (a nod to The Texas Chain Saw Massacre) more or less lays out everything we’re about to see, letting us know that the two characters we’re about to meet will not survive the night. Like the real-life murders of Sharon Tate and friends, there’s really no point to the brutality on display in The Strangers, and though many over the years have criticized the film for that, it is my belief that it’s actually the single most chilling aspect of it. And sometimes, as the world learned courtesy of the infamous Manson Family murders of 1969, which loosely inspired Bertino to pen this very film, that wrong place can be within the walls of your own home. It’s comforting to believe that you need to wrong someone in order to become their enemy, but the reality, as is terrifyingly on display in The Strangers, is that your peaceful existence can be shattered simply because you were in the wrong place at the wrong time. More than merely a creepy tagline, that bone-chilling reveal hammers home the entire theme of The Strangers, which is that sadistic killers don’t need a reason to make you their next target. “ Because you were home,” answers one of the masked intruders. Why, you ask? That’s a question directly addressed in Bertino’s script, and the answer sends chills up the spine just thinking about it. Around four in the morning, they receive a knock on the front door from a young woman who claims to be looking for a friend of hers, and soon thereafter, a trio of masked maniacs break into the home and terrorize the couple. In The Strangers, James Hoyt (Scott Speedman) and Kristen McKay (Liv Tyler), whose troubled relationship is given a wonderfully nuanced introduction within the first 15-minutes, are spending the night in a remote vacation home. There’s absolutely nothing deceptive about the simplicity of Bertino’s premise. Released in 2008, The Strangers upped the fear factor by throwing motive completely out the window. Countless films released in the last several decades fall under the home invasion umbrella, from 1967’s Wait Until Dark to 2011’s You’re Next, but it wasn’t until Bryan Bertino made his own contribution to the sub-genre that the home invasion film truly reached its pinnacle of terror. It is for this reason that no sub-genre of horror is more genuinely terrifying than the home invasion film, which preys upon the very real fear of the safest place in your world being flip-turned into a living nightmare. ![]() ![]() ![]() When we go to bed, we can pretty sure that we won’t be torn apart in our sleep by a werewolf or feasted on by a hungry vampire, but one thing we cannot promise ourselves is that we’ll be safe from the scariest monsters of them all: the human beings we’re forced to share this planet with. From George Romero’s zombies to Wes Craven’s Freddy Krueger, the villains that have most iconically terrorized the silver screen have mostly been creatures quite unlike those found within our physical realities, providing a safe distance from the fear we feel while watching them stalk and slash. Ever since the invention of motion-picture cameras, filmmakers have been searching the darkest recesses of their brains in an effort to come up with the next great movie monster. ![]()
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